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CD 1: Brahms: 21 Hungarian Dances | ||||
Johannes Brahms (1833 - 1897) | ||||
Hungarian Dance No.1 in G minor | ||||
1 | Orchestrated by Brahms | [2:53] | ||
Hungarian Dance No.2 in D minor | ||||
2 | Orchestrated by Johan Andreas Hallén (1846-1925) | [2:35] | ||
Hungarian Dance No.3 in F | ||||
3 | Orchestrated by Brahms | [2:18] | ||
Hungarian Dance No.4 in F sharp minor | ||||
4 | Orchestrated by Paul Juon (1872-1940) | [4:08] | ||
Hungarian Dance No.5 in G minor | ||||
5 | Orchestrated by Martin Schmeling (?-1943) | [2:16] | ||
Hungarian Dance No.6 in D flat | ||||
6 | Orchestrated by Martin Schmeling (?-1943) | [3:04] | ||
Hungarian Dance No.7 in F Hungarian Dance No. 7 in A | ||||
7 | Orchestrated by Martin Schmeling (?-1943) | [1:33] | ||
Hungarian Dance No.8 in A minor | ||||
8 | Orchestrated by Hans Gál (1890-1987) | [2:48] | ||
Hungarian Dance No.9 in E minor | ||||
9 | Orchestrated by Hans Gál (1890-1987) | [1:36] | ||
Hungarian Dance No.10 in F | ||||
10 | Orchestrated by Brahms | [1:36] | ||
Hungarian Dance No.11 in D minor | ||||
11 | Orchestrated by Albert Parlow (?-1888) | [2:25] | ||
Hungarian Dance No.12 in D minor | ||||
12 | Orchestrated by Albert Parlow (?-1888) | [2:17] | ||
Hungarian Dance No.13 in D | ||||
13 | Orchestrated by Albert Parlow (?-1888) | [1:35] | ||
Hungarian Dance No.14 in D minor | ||||
14 | Orchestrated by Albert Parlow (?-1888) | [1:32] | ||
Hungarian Dance No.15 in B flat | ||||
15 | Orchestrated by Albert Parlow (?-1888) | [2:40] | ||
Hungarian Dance No.16 in F minor / major | ||||
16 | Orchestrated by Albert Parlow | [2:16] | ||
Hungarian Dance No.17 in F sharp minor | ||||
17 | Orchestrated by A. Dvorák (1841-1904) | [2:45] | ||
Hungarian Dance No.18 in D | ||||
18 | Orchestrated by A. Dvorák (1841-1904) | [1:22] | ||
Hungarian Dance No.19 in B minor | ||||
19 | Orchestrated by Antonín Dvorák | [1:56] | ||
Hungarian Dance No.20 in E minor | ||||
20 | Orchestrated by Antonín Dvorák | [2:25] | ||
Hungarian Dance No.21 in E minor | ||||
21 | Orchestrated by Antonín Dvorák | [1:16] | ||
Wiener Philharmoniker, Claudio Abbado | ||||
Total Playing Time [47:16] | ||||
CD 2: Beethoven: String Quartets Opp.59, No.1 "Rasumovsky" & 131 | ||||
Ludwig van Beethoven (1770 - 1827) | ||||
String Quartet in F, Op.59 No.1 - "Rasumovsky" | ||||
1 | 1. Allegro | [10:04] | ||
2 | 2. Allegretto vivace e sempre scherzando | [8:34] | ||
3 | 3. Adagio molto e mesto | [12:09] | ||
4 | 4. Thème russe (Allegro) | [6:38] | ||
String Quartet in C sharp minor, Op.131 | ||||
5 | 1. Adagio ma non troppo e molto espressivo | [6:59] | ||
6 | 2. Allegro molto vivace | [3:05] | ||
7 | 3. Allegro moderato | [0:56] | ||
8 | 4. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto | [14:17] | ||
9 | 5. Presto | [5:27] | ||
10 | 6. Adagio quasi un poco andante | [2:04] | ||
11 | 7. Allegro | [6:30] | ||
Amadeus Quartet | ||||
Total Playing Time [1:16:43] | ||||
CD 3: Chopin: 24 Preludes, Op.28; Preludes Opp.45 & post.; Sonata, Op.35 | ||||
Frédéric Chopin (1810 - 1849) | ||||
24 Préludes, Op.28 | ||||
1 | 1. in C major | [0:34] | ||
2 | 2. in A minor | [2:10] | ||
3 | 3. in G major | [0:51] | ||
4 | 4. in E minor | [1:52] | ||
5 | 5. in D major | [0:30] | ||
6 | 6. in B minor | [1:46] | ||
7 | 7. in A major | [0:44] | ||
8 | 8. in F sharp minor | [1:29] | ||
9 | 9. in E major | [1:30] | ||
10 | 10. in C sharp minor | [0:25] | ||
11 | 11. in B major | [0:33] | ||
12 | 12. in G sharp minor | [0:58] | ||
13 | 13. in F sharp major | [2:44] | ||
14 | 14. in E flat minor | [0:29] | ||
15 | 15. in D flat major ("Raindrop") | [4:51] | ||
16 | 16. in B flat minor | [0:58] | ||
17 | 17. in A flat major | [2:50] | ||
18 | 18. in F minor | [0:47] | ||
19 | 19. in E flat major | [1:04] | ||
20 | 20. in C minor | [1:32] | ||
21 | 21. in B flat major | [1:34] | ||
22 | 22. in G minor | [0:34] | ||
23 | 23. in F major | [0:43] | ||
24 | 24. in D minor | [2:14] | ||
Prélude No.25 in C sharp minor, Op.45 | ||||
25 | Sostenuto | [4:03] | ||
Prélude No.26 in A flat, Op.posth. | ||||
26 | Presto con leggierezza | [0:40] | ||
Piano Sonata No.2 in B flat minor, Op.35 | ||||
27 | 1. Grave - Doppio movimento | [6:40] | ||
28 | 2. Scherzo - Più lento - Tempo I | [6:04] | ||
29 | 3. Marche funèbre (Lento) | [8:34] | ||
30 | 4. Finale (Presto) | [1:28] | ||
Martha Argerich | ||||
Total Playing Time [1:01:11] | ||||
CD 4: Ravel: Bolero; Pavane; La Valse: Daphnis & Chloé Suite No.2 | ||||
Maurice Ravel (1875 - 1937) | ||||
1 | Boléro | [17:30] | ||
Orchestre de Paris, Daniel Barenboim | ||||
2 | Pavane pour une infante défunte | [7:41] | ||
Myron Bloom, Orchestre de Paris, Daniel Barenboim | ||||
3 | La Valse | [13:14] | ||
Daphnis et Chloé, Suite No.2 | ||||
4 | 1. Lever du jour | [5:48] | ||
Orchestre de Paris, Daniel Barenboim | ||||
5 | 2. Pantomime | [7:06] | ||
Orchestre de Paris, Daniel Barenboim, Michel Debost | ||||
6 | 3. Danse générale | [4:09] | ||
Orchestre de Paris, Daniel Barenboim | ||||
Total Playing Time [55:28] | ||||
CD 5: Debussy: Préludes Book 1; Images Books 1 & 2 | ||||
Claude Debussy (1862 - 1918) | ||||
Préludes - Book 1 | ||||
1 | 1. Danseuses de Delphes | [3:18] | ||
2 | 2. Voiles | [4:30] | ||
3 | 3. Le vent dans la plaine | [2:13] | ||
4 | 4. Les sons et les parfums tournent dans l'air du soir | [3:39] | ||
5 | 5. Les collines d'Anacapri | [3:19] | ||
6 | 6. Des pas sur la neige | [4:58] | ||
7 | 7. Ce qu'a vu le vent d'ouest | [3:42] | ||
8 | 8. La fille aux cheveux de lin | [2:55] | ||
9 | 9. La sérénade interrompue | [2:43] | ||
10 | 10. La cathédrale engloutie | [6:52] | ||
11 | 11. La danse de Puck | [3:12] | ||
12 | 12. Minstrels | [2:29] | ||
Images - Book 1 | ||||
13 | 1. Reflets dans l'eau | [4:54] | ||
14 | 2. Hommage à Rameau | [6:35] | ||
15 | 3. Mouvement | [3:37] | ||
Images - Book 2 | ||||
16 | 1. Cloches à travers les feuilles | [4:22] | ||
17 | 2. Et la lune descend sur le temple qui fût | [5:15] | ||
18 | 3. Poissons d'or | [4:02] | ||
Arturo Benedetti Michelangeli | ||||
Total Playing Time [1:12:35] | ||||
CD 6: Bernstein: West Side Story | ||||
Leonard Bernstein (1918 - 1990) | ||||
West Side Story | ||||
1 | Prologue | [4:07] | ||
Orchestra, Leonard Bernstein | ||||
2 | Jet Song | [3:13] | ||
Kurt Ollmann, David Livingston, Stephen Bogardus, Peter Thom, Marty Nelson, Orchestra, Leonard Bernstein, Chorus | ||||
3 | Something's Coming | [2:35] | ||
José Carreras, Orchestra, Leonard Bernstein | ||||
4 | The Dance at the Gym - Blues | [1:46] | ||
5 | The Dance at the Gym - Promenade | [0:27] | ||
6 | The Dance at the Gym - Mambo | [2:23] | ||
7 | The Dance at the Gym - Cha-Cha | [0:53] | ||
Orchestra, Leonard Bernstein | ||||
8 | The Dance at the Gym - Meeting Scene | [1:27] | ||
Nina Bernstein, Alexander Bernstein, Orchestra, Leonard Bernstein | ||||
9 | The Dance at the Gym - Jump | [0:51] | ||
Orchestra, Leonard Bernstein | ||||
10 | Maria | [2:58] | ||
José Carreras, Orchestra, Leonard Bernstein | ||||
11 | Tonight - Balcony Scene | [7:33] | ||
Kiri Te Kanawa, José Carreras, Orchestra, Leonard Bernstein | ||||
12 | America | [4:49] | ||
Angelina Reaux, Louise Edeiken, Stella Zambalis, Tatiana Troyanos, Orchestra, Leonard Bernstein, Chorus | ||||
13 | Cool | [4:40] | ||
Kurt Ollmann, Orchestra, Leonard Bernstein, Chorus | ||||
14 | One Hand, One Heart | [5:40] | ||
Kiri Te Kanawa, José Carreras, Orchestra, Leonard Bernstein | ||||
15 | Tonight (Ensemble) | [3:43] | ||
Kurt Ollmann, Richard Harrell, Tatiana Troyanos, José Carreras, Kiri Te Kanawa, Orchestra, Leonard Bernstein, Chorus | ||||
16 | The Rumble | [3:03] | ||
Orchestra, Leonard Bernstein | ||||
17 | I Feel Pretty | [3:25] | ||
Kiri Te Kanawa, Luise Edeiken, Angelina Reaux, Stella Zambalis, Orchestra, Leonard Bernstein | ||||
18 | Ballet Sequence - Beginning | [1:06] | ||
José Carreras, Kiri Te Kanawa, Orchestra, Leonard Bernstein | ||||
19 | Ballet Sequence - Transition to Scherzo | [0:38] | ||
20 | Ballet Sequence - Scherzo | [1:31] | ||
Orchestra, Leonard Bernstein | ||||
21 | Ballet Sequence - Somewhere | [2:37] | ||
Marilyn Horne, Orchestra, Leonard Bernstein | ||||
22 | Ballet Sequence - Procession and Nightmare | [3:14] | ||
Kiri Te Kanawa, José Carreras, Orchestra, Leonard Bernstein, Chorus | ||||
23 | Gee, Officer Krupke | [4:20] | ||
David Livingston, Marty Nelson, Stephen Bogardus, Peter Thom, Todd Lester, Orchestra, Leonard Bernstein, Chorus | ||||
24 | A Boy Like That | [2:06] | ||
Tatiana Troyanos, Kiri Te Kanawa, Orchestra, Leonard Bernstein | ||||
25 | I Have a Love | [3:30] | ||
Kiri Te Kanawa, Tatiana Troyanos, Orchestra, Leonard Bernstein | ||||
26 | Taunting Scene | [1:25] | ||
Orchestra, Leonard Bernstein | ||||
27 | Finale | [2:36] | ||
Kiri Te Kanawa, José Carreras, Orchestra, Leonard Bernstein | ||||
Total Playing Time [1:16:36] | ||||
CD 7: Mozart, W.A.: Requiem K.626 | ||||
Wolfgang Amadeus Mozart (1756 - 1791) | ||||
Requiem in D minor, K.626 | ||||
compl. by Franz Xaver Süssmayer | ||||
1 | 1. Introitus: Requiem/2. Kyrie | [9:37] | ||
Wiener Philharmoniker, Karl Böhm, Konzertvereinigung Wiener Staatsopernchor, Norbert Balatsch | ||||
2 | 3. Sequentia: Dies irae | [2:00] | ||
Wiener Philharmoniker, Karl Böhm, Hans Haselböck, Konzertvereinigung Wiener Staatsopernchor, Norbert Balatsch | ||||
3 | 3. Sequentia: Tuba mirum | [4:17] | ||
Edith Mathis, Julia Hamari, Wieslaw Ochman, Karl Ridderbusch, Wiener Philharmoniker, Karl Böhm, Hans Haselböck | ||||
4 | 3. Sequentia: Rex tremendae | [3:11] | ||
Wiener Philharmoniker, Karl Böhm, Hans Haselböck, Konzertvereinigung Wiener Staatsopernchor, Norbert Balatsch | ||||
5 | 3. Sequentia: Recordare | [7:03] | ||
Edith Mathis, Julia Hamari, Wieslaw Ochman, Karl Ridderbusch, Wiener Philharmoniker, Karl Böhm, Hans Haselböck | ||||
6 | 3. Sequentia: Confutatis | [3:51] | ||
Wiener Philharmoniker, Karl Böhm, Hans Haselböck, Konzertvereinigung Wiener Staatsopernchor, Norbert Balatsch | ||||
7 | 3. Sequentia: Lacrimosa | [4:10] | ||
Hans Haselböck, Wiener Philharmoniker, Karl Böhm, Konzertvereinigung Wiener Staatsopernchor, Norbert Balatsch | ||||
8 | 4. Offertorium: Domine Jesu | [4:40] | ||
Edith Mathis, Julia Hamari, Wieslaw Ochman, Karl Ridderbusch, Wiener Philharmoniker, Karl Böhm, Hans Haselböck, Konzertvereinigung Wiener Staatsopernchor, Norbert Balatsch | ||||
9 | 4. Offertorium: Hostias | [5:05] | ||
10 | 5. Sanctus | [1:57] | ||
Wiener Philharmoniker, Karl Böhm, Hans Haselböck, Konzertvereinigung Wiener Staatsopernchor, Norbert Balatsch | ||||
11 | 6. Benedictus | [6:53] | ||
Edith Mathis, Julia Hamari, Wieslaw Ochman, Karl Ridderbusch, Wiener Philharmoniker, Karl Böhm, Hans Haselböck, Konzertvereinigung Wiener Staatsopernchor, Norbert Balatsch | ||||
12 | Agnus Dei/Lux aeterna | [11:29] | ||
Edith Mathis, Wiener Philharmoniker, Karl Böhm, Hans Haselböck, Konzertvereinigung Wiener Staatsopernchor, Norbert Balatsch | ||||
Total Playing Time [1:04:13] | ||||
CD 8: Stravinsky: Petrushka; The Rite of Spring | ||||
Igor Stravinsky (1882 - 1971) | ||||
Petrouchka | ||||
Scene 1 | ||||
1 | First tableau | [9:57] | ||
Scene 2 | ||||
2 | Second tableau | [4:30] | ||
Scene 3 | ||||
3 | Third tableau | [7:02] | ||
Scene 4 | ||||
4 | Fourth tableau | [13:29] | ||
Le Sacre du Printemps | ||||
5 | Part 1: L'Adoration de la Terre | [15:55] | ||
6 | Part 2: Le Sacrifice | [17:27] | ||
The Cleveland Orchestra, Pierre Boulez | ||||
Total Playing Time [1:08:20] | ||||
CD 9: Vivaldi: Violin Concertos, R.190, 217, 303, 325 & 331 | ||||
Antonio Vivaldi (1678 - 1741) | ||||
Concerto for Violin, Strings and Harpsichord in G minor, R. 331 | ||||
1 | 1. Allegro | [4:20] | ||
2 | 2. Largo | [4:35] | ||
3 | 3. Allegro | [4:02] | ||
Concerto for Violin, Strings and Harpsichord in C, R. 190 | ||||
4 | 1. Allegro | [5:41] | ||
5 | 2. Largo | [4:09] | ||
6 | 3. Allegro | [4:13] | ||
Concerto for Violin, Strings and Harpsichord in G minor, R. 325 | ||||
7 | 1. Allegro molto | [3:32] | ||
8 | 2. Largo | [1:57] | ||
9 | 3. Presto | [2:03] | ||
Concerto for Violin, Strings and Harpsichord in D, R. 217 | ||||
10 | 1. Allegro | [3:46] | ||
11 | 2. Largo | [3:36] | ||
12 | 3. Allegro | [3:37] | ||
Concerto for Violin, Strings and Harpsichord in G, R. 303 | ||||
13 | 1. Allegro molto | [4:26] | ||
14 | 2. Largo | [4:08] | ||
15 | 3. Allegro | [3:46] | ||
Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | ||||
Total Playing Time [57:51] | ||||
CD 10: Opera Gala | ||||
Gaetano Donizetti (1797 - 1848) | ||||
L'elisir d'amore | ||||
Act 2 | ||||
1 | "Una furtiva lagrima" | [4:41] | ||
Lucia di Lammermoor | ||||
Act 3 | ||||
2 | "Tombe degl'avi miei" - "Fra poco a me ricovero" | [7:21] | ||
Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | ||||
Giuseppe Verdi (1813 - 1901) | ||||
Ernani | ||||
Part 1 | ||||
3 | Mercé, diletti amici ...Come rugiada al cespite | [5:33] | ||
Il Trovatore | ||||
Act 3 | ||||
4 | "Ah sì, ben mio...l'onda de'suoni mistici...Di quella | [5:44] | ||
Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini, Roger Wagner Chorale, Roger Wagner | ||||
Aida | ||||
Act 1 | ||||
5 | "Se quel guerrier io fossi!" - "Celeste Aida" | [5:01] | ||
Jacques Halévy (1799 - 1862) | ||||
La Juive | ||||
Act 4 | ||||
6 | "Rachel, quand du Seigneur la grâce tutélaire" | [5:41] | ||
Giacomo Meyerbeer (1791 - 1864) | ||||
L'Africaine | ||||
Act 4 | ||||
7 | "Pays merveilleux ... O paradis" (sung in French) (Vasco) | [3:37] | ||
Georges Bizet (1838 - 1875) | ||||
Les pêcheurs de perles | ||||
Act 1 | ||||
8 | No.4 b) Romance: "Je crois entendre encore" | [3:46] | ||
Carmen | ||||
Act 2 | ||||
9 | "La fleur que tu m'avais jetée" | [4:00] | ||
Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | ||||
Total Playing Time [45:24] | ||||
CD 11: Mahler: Symphony No.5 | ||||
Gustav Mahler (1860 - 1911) | ||||
Symphony No.5 in C sharp minor | ||||
1 | 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I) | [12:42] | ||
2 | 2. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito | [14:27] | ||
3 | 3. Scherzo (Kräftig, nicht zu schnell) | [17:21] | ||
4 | 4. Adagietto (Sehr langsam) | [10:46] | ||
5 | 5. Rondo-Finale (Allegro) | [14:09] | ||
Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel | ||||
Total Playing Time [1:09:25] | ||||
CD 12: Bach, J.S.: The Art of Fugue, BWV 1080 | ||||
Johann Sebastian Bach (1685 - 1750) | ||||
The Art of Fugue, BWV 1080 | ||||
Version for String Quartet | ||||
1 | Contrapunctus I | [3:04] | ||
2 | Contrapunctus 2 | [2:44] | ||
3 | Contrapunctus 3 | [2:31] | ||
4 | Contrapunctus 4 | [3:30] | ||
5 | Contrapunctus 5 | [2:33] | ||
6 | Contrapunctus 6 | [4:10] | ||
7 | Contrapunctus 7 | [3:07] | ||
Emerson String Quartet | ||||
8 | Contrapunctus 8 | [4:54] | ||
Eugene Drucker, Lawrence Dutton, David Finckel | ||||
9 | Contrapunctus 9 | [2:14] | ||
10 | Contrapunctus 10 | [3:02] | ||
11 | Contrapunctus 11 | [4:43] | ||
Emerson String Quartet | ||||
12 | Contrapunctus 14a: Canon per Augmentationem in contrario motu | [5:18] | ||
Eugene Drucker, David Finckel | ||||
13 | Contrapunctus 12a | [1:50] | ||
14 | Contrapunctus 12b | [1:53] | ||
Emerson String Quartet | ||||
15 | Canon alla Ottava | [4:03] | ||
Lawrence Dutton, David Finckel | ||||
16 | Canona alla Decima, in Contrapunto alla Terza | [3:42] | ||
Eugene Drucker, Lawrence Dutton | ||||
17 | Canon alla Duodecima in Contrapunto alla Quinta | [4:13] | ||
Philip Setzer, David Finckel | ||||
18 | Contrapunctus 13a | [2:06] | ||
Philip Setzer, Lawrence Dutton, David Finckel | ||||
19 | Contrapunctus 13b | [2:09] | ||
Eugene Drucker, Lawrence Dutton, David Finckel | ||||
20 | Contrapunctus 14: Canon per Augmentationem in contrario motu | [6:53] | ||
Philip Setzer, David Finckel | ||||
21 | Contrapunctus 14(18): Fuga a 3 Soggetti | [8:06] | ||
22 | Chorale: Wenn wir in höchsten Nöten sein | [3:16] | ||
Emerson String Quartet | ||||
Total Playing Time [1:20:01] | ||||
CD 13: Schubert: Winterreise | ||||
Franz Schubert (1797 - 1828) | ||||
Winterreise, D.911 | ||||
1 | 1. Gute Nacht | [5:22] | ||
2 | 2. Die Wetterfahne | [1:47] | ||
3 | 3. Gefrorne Tränen | [2:18] | ||
4 | 4. Erstarrung | [3:00] | ||
5 | 5. Der Lindenbaum | [4:37] | ||
6 | 6. Wasserflut | [4:14] | ||
7 | 7. Auf dem Flusse | [3:27] | ||
8 | 8. Rückblick | [2:19] | ||
9 | 9. Irrlicht | [2:31] | ||
10 | 10. Rast | [2:54] | ||
11 | 11. Frühlingstraum | [3:52] | ||
12 | 12. Einsamkeit | [2:38] | ||
13 | 13. Die Post | [2:17] | ||
14 | 14. Der greise Kopf | [2:56] | ||
15 | 15. Die Krähe | [2:01] | ||
16 | 16. Letzte Hoffnung | [2:13] | ||
17 | 17. Im Dorfe | [3:38] | ||
18 | 18. Der stürmische Morgen | [0:53] | ||
19 | 19. Täuschung | [1:31] | ||
20 | 20. Der Wegweiser | [3:55] | ||
21 | 21. Das Wirtshaus | [4:08] | ||
22 | 22. Mut | [1:24] | ||
23 | 23. Die Nebensonnen | [2:43] | ||
24 | 24. Der Leiermann | [3:33] | ||
Dietrich Fischer-Dieskau, Gerald Moore | ||||
Total Playing Time [1:10:11] | ||||
CD 14: Bach, J.S.: Cello Suites Nos.1 - 3, BWV 1007 - 1009 | ||||
Johann Sebastian Bach (1685 - 1750) | ||||
Suite for Cello Solo No.1 in G, BWV 1007 | ||||
1 | 1. Prélude | [2:50] | ||
2 | 2. Allemande | [4:18] | ||
3 | 3. Courante | [2:45] | ||
4 | 4. Sarabande | [3:21] | ||
5 | 5. Menuet I-II | [3:28] | ||
6 | 6. Gigue | [2:03] | ||
Suite for Cello Solo No.2 in D minor, BWV 1008 | ||||
7 | 1. Prélude | [3:26] | ||
8 | 2. Allemande | [3:26] | ||
9 | 3. Courante | [2:06] | ||
10 | 4. Sarabande | [4:18] | ||
11 | 5. Menuet I-II | [3:17] | ||
12 | 6. Gigue | [2:31] | ||
Suite for Cello Solo No.3 in C, BWV 1009 | ||||
13 | 1. Prélude | [3:43] | ||
14 | 2. Allemande | [3:59] | ||
15 | 3. Courante | [3:11] | ||
16 | 4. Sarabande | [5:00] | ||
17 | 5. Bourrée I-II | [3:55] | ||
18 | 6. Gigue | [3:16] | ||
Pierre Fournier | ||||
Total Playing Time [1:00:53] | ||||
CD 15: Bach, J.S.: Cello Suites Nos.4 - 6, BWV 1010 - 1012 | ||||
Johann Sebastian Bach (1685 - 1750) | ||||
Suite for Cello Solo No.4 in E flat, BWV 1010 | ||||
1 | 1. Prélude | [4:16] | ||
2 | 2. Allemande | [4:32] | ||
3 | 3. Courante | [3:46] | ||
4 | 4. Sarabande | [5:07] | ||
5 | 5. Bourrée I-II | [5:06] | ||
6 | 6. Gigue | [2:41] | ||
Suite for Cello Solo No.5 in C minor, BWV 1011 | ||||
7 | 1. Prélude | [7:01] | ||
8 | 2. Allemande | [4:35] | ||
9 | 3. Courante | [2:06] | ||
10 | 4. Sarabande | [3:29] | ||
11 | 5. Gavotte I-II | [5:05] | ||
12 | 6. Gigue | [2:35] | ||
Suite for Cello Solo No.6 in D, BWV 1012 | ||||
13 | 1. Prélude | [5:01] | ||
14 | 2. Allemande | [5:43] | ||
15 | 3. Courante | [3:49] | ||
16 | 4. Sarabande | [3:47] | ||
17 | 5. Gavotte I-II | [4:38] | ||
18 | 6. Gigue | [4:05] | ||
Pierre Fournier | ||||
Total Playing Time [1:17:22] | ||||
CD 16: Verdi: Requiem | ||||
Giuseppe Verdi (1813 - 1901) | ||||
Messa da Requiem | ||||
1 | 1. Requiem | [8:22] | ||
Maria Stader, Marianna Radev, Helmut Krebs, Kim Borg, RIAS Symphony Orchestra Berlin, Ferenc Fricsay, RIAS Kammerchor, Chor der St. Hedwig's-Kathedrale, Berlin | ||||
2 | 2. Dies irae | [2:05] | ||
RIAS Symphony Orchestra Berlin, Ferenc Fricsay, RIAS Kammerchor, Chor der St. Hedwig's-Kathedrale, Berlin | ||||
3 | 2. Tuba mirum | [2:44] | ||
Kim Borg, RIAS Symphony Orchestra Berlin, Ferenc Fricsay, RIAS Kammerchor, Chor der St. Hedwig's-Kathedrale, Berlin | ||||
4 | 2. Liber scriptus | [4:54] | ||
Marianna Radev, RIAS Symphony Orchestra Berlin, Ferenc Fricsay, RIAS Kammerchor, Chor der St. Hedwig's-Kathedrale, Berlin | ||||
5 | 2. Quid sum miser | [3:36] | ||
Maria Stader, Marianna Radev, Helmut Krebs, RIAS Symphony Orchestra Berlin, Ferenc Fricsay | ||||
6 | 2. Rex tremendae | [3:40] | ||
Maria Stader, Marianna Radev, Helmut Krebs, Kim Borg, RIAS Symphony Orchestra Berlin, Ferenc Fricsay, RIAS Kammerchor, Chor der St. Hedwig's-Kathedrale, Berlin | ||||
7 | 2. Recordare | [3:39] | ||
Maria Stader, Marianna Radev, RIAS Symphony Orchestra Berlin, Ferenc Fricsay | ||||
8 | 2. Ingemisco | [3:14] | ||
Helmut Krebs, RIAS Symphony Orchestra Berlin, Ferenc Fricsay | ||||
9 | 2. Confutatis | [4:34] | ||
Kim Borg, RIAS Symphony Orchestra Berlin, Ferenc Fricsay, RIAS Kammerchor, Chor der St. Hedwig's-Kathedrale, Berlin | ||||
10 | 2. Lacrymosa | [5:22] | ||
Maria Stader, Marianna Radev, Helmut Krebs, Kim Borg, RIAS Symphony Orchestra Berlin, Ferenc Fricsay, RIAS Kammerchor, Chor der St. Hedwig's-Kathedrale, Berlin | ||||
11 | 3. Offertorium | [8:53] | ||
Maria Stader, Marianna Radev, Helmut Krebs, Kim Borg, RIAS Symphony Orchestra Berlin, Ferenc Fricsay | ||||
12 | 4. Sanctus | [2:28] | ||
RIAS Symphony Orchestra Berlin, Ferenc Fricsay, RIAS Kammerchor, Chor der St. Hedwig's-Kathedrale, Berlin | ||||
13 | 5. Agnus Dei | [4:22] | ||
Maria Stader, Marianna Radev, RIAS Symphony Orchestra Berlin, Ferenc Fricsay, RIAS Kammerchor, Chor der St. Hedwig's-Kathedrale, Berlin | ||||
14 | 6. Lux aeterna | [5:26] | ||
Marianna Radev, Helmut Krebs, Kim Borg, RIAS Symphony Orchestra Berlin, Ferenc Fricsay | ||||
15 | 7. Libera me | [12:08] | ||
Maria Stader, RIAS Symphony Orchestra Berlin, Ferenc Fricsay, RIAS Kammerchor, Chor der St. Hedwig's-Kathedrale, Berlin | ||||
Total Playing Time [1:15:27] | ||||
CD 17: Schumann: Symphony No.4 / Haydn: Symphony No.88 | ||||
Robert Schumann (1810 - 1856) | ||||
Symphony No.4 in D minor, Op.120 | ||||
1 | 1. Ziemlich langsam - Lebhaft | [11:52] | ||
2 | 2. Romanze (Ziemlich langsam) | [5:21] | ||
3 | 3. Scherzo | [5:56] | ||
4 | 4. Langsam - Lebhaft - Schneller - Presto | [7:50] | ||
Franz Joseph Haydn (1732 - 1809) | ||||
Symphony in G, H.I No.88 | ||||
5 | 1. Adagio - Allegro | [6:52] | ||
6 | 2. Largo | [6:19] | ||
7 | 3. Menuetto (Allegretto) | [4:25] | ||
8 | 4. Finale (Allegro con spirito) | [3:41] | ||
Berliner Philharmoniker, Wilhelm Furtwängler | ||||
Total Playing Time [52:16] | ||||
CD 18: Monteverdi: Vespro della Beata Vergine (1610) | ||||
Claudio Monteverdi (1567 - 1643) | ||||
Vespro della Beata Vergine | ||||
1 | Domine ad adiuvandum a 6 | [2:10] | ||
Nigel Robson, English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner, The Monteverdi Choir | ||||
2 | Dixit Dominus a 6 | [7:13] | ||
Ann Monoyios, Marinella Pennicchi, Alastair Miles, Mark Tucker, Nigel Robson, Bryn Terfel, English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner, The Monteverdi Choir | ||||
3 | Nigra sum a 1 | [3:47] | ||
Mark Tucker, English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner, Jakob Lindberg | ||||
4 | Laudate, pueri Dominum a 8 | [5:41] | ||
Ann Monoyios, Marinella Pennicchi, Mark Tucker, Nigel Robson, Sandro Naglia, Alastair Miles, Bryn Terfel, English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner, The Monteverdi Choir | ||||
5 | Pulchra es a 2 | [3:57] | ||
Marinella Pennicchi, Ann Monoyios, English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner, Jakob Lindberg, David Miller | ||||
6 | Laetatus sum a 6 | [6:31] | ||
Ann Monoyios, Marinella Pennicchi, Mark Tucker, Nigel Robson, Alastair Miles, English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner, The Monteverdi Choir | ||||
7 | Duo seraphim a 3 | [6:43] | ||
Mark Tucker, Nigel Robson, Sandro Naglia, English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner, Jakob Lindberg, David Miller, Christopher Wilson | ||||
8 | Nisi Dominus a 10 | [4:36] | ||
English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner, The Monteverdi Choir | ||||
9 | Audi coelum a 8 | [8:36] | ||
Nigel Robson, Mark Tucker, English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner, Christopher Wilson, Jakob Lindberg, The Monteverdi Choir | ||||
10 | Lauda Jerusalem a 7 | [3:51] | ||
English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner, The Monteverdi Choir | ||||
Total Playing Time [53:05] | ||||
CD 19: Monteverdi: Vespro della Beata Vergine (1610) | ||||
Claudio Monteverdi (1567 - 1643) | ||||
Vespro della Beata Vergine | ||||
1 | Sonata sopra Sancta Maria a 1 | [6:54] | ||
English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner, The London Oratory Junior Choir, Patrick Russill | ||||
2 | Ave maris stella a 8 | [8:55] | ||
Michael Chance, Nigel Robson, English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner, Jakob Lindberg, The Monteverdi Choir, The London Oratory Junior Choir, Patrick Russill | ||||
3 | Magnificat I a 7 | [17:38] | ||
Ann Monoyios, Mark Tucker, Nigel Robson, Sandro Naglia, Bryn Terfel, Alastair Miles, Michael Chance, Marinella Pennicchi, English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner, Ian Watson, The Monteverdi Choir, The London Oratory Junior Choir, Patrick Russill | ||||
4 | Magnificat II a 6 | [18:28] | ||
Mark Tucker, Nigel Robson, Ann Monoyios, Marinella Pennicchi, Bryn Terfel, Alastair Miles, English Baroque Soloists, John Eliot Gardiner, Ian Watson, The Monteverdi Choir, The London Oratory Junior Choir, Patrick Russill | ||||
Total Playing Time [51:55] | ||||
CD 20: Beethoven: Piano Sonatas Opp.53 "Waldstein", 81a "Les Adieux" & 57 "Appassionata" | ||||
Ludwig van Beethoven (1770 - 1827) | ||||
Piano Sonata No.21 in C, Op.53 -"Waldstein" | ||||
1 | 1. Allegro con brio | [11:04] | ||
2 | 2. Introduzione (Adagio molto) | [4:39] | ||
3 | 3. Rondo (Allegretto moderato) - | [7:34] | ||
4 | 4. Prestissimo | [1:45] | ||
Piano Sonata No.26 in E flat, Op.81a -"Les adieux" | ||||
5 | 1. Das Lebewohl (Adagio - Allegro) | [7:12] | ||
6 | 2. Abwesenheit (Andante espressivo) | [4:01] | ||
7 | 3. Das Wiedersehen (Vivacissimamente) | [5:57] | ||
Piano Sonata No.23 in F minor, Op.57 -"Appassionata" | ||||
8 | 1. Allegro assai | [11:03] | ||
9 | 2. Andante con moto | [6:30] | ||
10 | 3. Allegro ma non troppo | [7:53] | ||
Emil Gilels | ||||
Total Playing Time [1:07:38] | ||||
CD 21: Pachelbel: Canon & Gigue / Handel: Sonata, Op.5 / Vivaldi: Sonata, Op.1 "La Follia" / Bach, J.S.: Ochestral Suite, No.2 | ||||
Johann Pachelbel (1653 - 1706) | ||||
1 | Canon and Gigue in D major | [4:41] | ||
George Frideric Handel (1685 - 1759) | ||||
Trio Sonata for 2 Violins and Continuo in G, Op.5, No.4, HWV 399 | ||||
2 | 1. Allegro | [2:02] | ||
3 | 2. A tempo ordinario - Allegro non presto - Adagio | [4:14] | ||
4 | 3. Passacaille | [4:39] | ||
5 | 4. Gigue (Presto) | [1:05] | ||
6 | 5. Menuet (Allegro moderato) | [0:59] | ||
Antonio Vivaldi (1678 - 1741) | ||||
7 | Trio Sonata in D minor for 2 Violins and Continuo, Op.1/12 , RV 63 "La Follia" | [8:43] | ||
Johann Sebastian Bach (1685 - 1750) | ||||
Suite No.2 in B minor, BWV 1067 | ||||
8 | 1. Ouverture | [10:08] | ||
9 | 2. Rondeau | [1:53] | ||
10 | 3. Sarabande | [3:14] | ||
11 | 4. Bourrée I-II | [1:33] | ||
12 | 5. Polonaise | [2:49] | ||
13 | 6. Menuet | [1:05] | ||
14 | 7. Badinerie | [1:18] | ||
Musica Antiqua Köln, Reinhard Goebel | ||||
Total Playing Time [48:23] | ||||
CD 22: Credo - Corigliano / Beethoven / Pärt | ||||
John Corigliano (1938 - ) | ||||
1 | Fantasia on an Ostinato | [12:04] | ||
Ludwig van Beethoven (1770 - 1827) | ||||
Piano Sonata No.17 in D minor, Op.31 No.2 -"Tempest" | ||||
2 | 1. Largo - Allegro | [8:20] | ||
3 | 2. Adagio | [7:39] | ||
4 | 3. Allegretto | [5:59] | ||
Hélène Grimaud | ||||
Fantasia for Piano, Chorus and Orchestra in C minor, Op.80 | ||||
5 | 1. Adagio | [3:36] | ||
6 | 2. Finale: a) Allegro - Meno allegro - Allegro molto - Adagio ma non troppo - Marcia, assai vivace | [15:27] | ||
Hélène Grimaud, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen, Swedish Radio Choir, Lone Larsen, Susanne Carlström, Monika Mannerström, Annika Hudak, Mats Carlsson, Per Björsund, Wedin Lage | ||||
Arvo Pärt (1935 - ) | ||||
7 | Credo for Piano solo, Mixed Choir and Orchestra | [15:16] | ||
Hélène Grimaud, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen, Swedish Radio Choir, Stefan Parkman | ||||
Total Playing Time [1:08:21] | ||||
CD 23: Bach, J.S.: Violin Concertos Nos.1 & 2; Double Concerto | ||||
Johann Sebastian Bach (1685 - 1750) | ||||
Violin Concerto No.2 in E, BWV 1042 | ||||
1 | 1. Allegro | [6:55] | ||
2 | 2. Adagio | [7:07] | ||
3 | 3. Allegro assai | [2:25] | ||
Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | ||||
Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043 | ||||
4 | 1. Vivace | [3:14] | ||
5 | 2. Largo ma non tanto | [6:50] | ||
6 | 3. Allegro | [4:14] | ||
Hilary Hahn, Margaret Batjer, Los Angeles Chamber Orchestra, Jeffrey Kahane | ||||
Violin Concerto No.1 in A minor, BWV 1041 | ||||
7 | 1. (Allegro moderato) | [3:24] | ||
8 | 2. Andante | [6:45] | ||
9 | 3. Allegro assai | [3:21] | ||
Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | ||||
Concerto for 2 Harpsichords, Strings, and Continuo in C minor, BWV 1060 | ||||
Arr. for violin, oboe strings & continuo | ||||
10 | 1. Allegro | [4:31] | ||
11 | 2. Adagio | [5:21] | ||
12 | 3. Allegro | [3:14] | ||
Hilary Hahn, Allan Vogel, Los Angeles Chamber Orchestra, Jeffrey Kahane | ||||
Total Playing Time [57:21] | ||||
CD 24: Horowitz in Moscow | ||||
Domenico Scarlatti (1685 - 1757) | ||||
Sonata in E, K.380 | ||||
1 | Andante commodo | [3:58] | ||
Wolfgang Amadeus Mozart (1756 - 1791) | ||||
Piano Sonata No.10 in C major, K.330 | ||||
2 | 1. Allegro moderato | [6:10] | ||
3 | 2. Andante cantabile | [5:58] | ||
4 | 3. Allegretto | [4:48] | ||
Sergey Vasil'yevich Rachmaninov (1873 - 1943) | ||||
5 | Prelude in G, Op.32, No.5 | [2:49] | ||
6 | Prélude in G sharp minor, Op.32, No.12 | [2:33] | ||
Alexander Scriabin (1872 - 1915) | ||||
3 Pieces for piano, Op.2 | ||||
7 | 1. Etude in C sharp minor | [2:39] | ||
12 Etudes for piano, Op.8 | ||||
8 | No. 12 in D sharp minor | [2:09] | ||
Franz Liszt (1811 - 1886) | ||||
9 | Soirées de Vienne: 9 Valses-Caprices after Schubert | [6:33] | ||
Années de pèlerinage: 2ème année: Italie, S.161 | ||||
10 | 5. Sonetto 104 del Petrarca | [5:33] | ||
Frédéric Chopin (1810 - 1849) | ||||
11 | Mazurka No.21 in C sharp minor Op.30 No.4 | [3:33] | ||
12 | Mazurka No.7 in F minor Op.7 No.3 | [2:15] | ||
Robert Schumann (1810 - 1856) | ||||
Kinderszenen, Op.15 | ||||
13 | 7. Träumerei | [2:24] | ||
Moritz Moszkowski (1854 - 1925) | ||||
Étincelles, Morceau caractéristique op.36, no.6 | ||||
14 | Allegro scherzando | [2:38] | ||
Sergey Vasil'yevich Rachmaninov (1873 - 1943) | ||||
Polka de V. R. | ||||
15 | Allegretto | [4:04] | ||
Vladimir Horowitz | ||||
Total Playing Time [58:04] | ||||
CD 25: Orff: Carmina Burana | ||||
Carl Orff (1895 - 1982) | ||||
Carmina Burana | ||||
Fortuna Imperatrix Mundi | ||||
1 | "O Fortuna" | [2:36] | ||
2 | "Fortune plango vulnera" | [2:37] | ||
1. Primo vere | ||||
3 | "Veris leta facies" | [3:28] | ||
Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | ||||
4 | "Omnia Sol temperat" | [2:04] | ||
Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | ||||
5 | "Ecce gratum" | [2:40] | ||
Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | ||||
Uf dem Anger | ||||
6 | Dance | [1:43] | ||
Orchester der Deutschen Oper Berlin, Eugen Jochum | ||||
7 | "Floret silva nobilis" | [3:02] | ||
8 | "Chramer, gip die varwe mir" | [2:59] | ||
9 | "Swaz hie gat umbe" - "Chume, chum geselle min" | [3:59] | ||
10 | "Were diu werlt alle min" | [0:53] | ||
Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | ||||
2. In Taberna | ||||
11 | "Estuans interius" | [2:13] | ||
Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | ||||
12 | "Olim lacus colueram" | [3:25] | ||
Gerhard Stolze, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | ||||
13 | "Ego sum abbas" | [1:31] | ||
Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | ||||
14 | "In taberna quando sumus" | [3:06] | ||
Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | ||||
3. Cour d'amours | ||||
15 | "Amor volat undique" | [3:02] | ||
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum, Schöneberger Sängerknaben, Gerhard Hellwig | ||||
16 | "Dies, nox et omnia" | [1:59] | ||
Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | ||||
17 | "Stetit puella" | [1:50] | ||
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | ||||
18 | "Circa mea pectora" | [2:11] | ||
Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | ||||
19 | "Si puer cum puellula" | [0:58] | ||
20 | "Veni, veni, venias" | [1:00] | ||
Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | ||||
21 | "In trutina" | [1:54] | ||
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | ||||
22 | "Tempus est iocundum" | [2:09] | ||
Gundula Janowitz, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum, Schöneberger Sängerknaben, Gerhard Hellwig | ||||
23 | "Dulcissime" | [0:34] | ||
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | ||||
Blanziflor et Helena | ||||
24 | "Ave formosissima" | [1:39] | ||
Fortuna Imperatrix Mundi | ||||
25 | "O Fortuna" | [2:33] | ||
Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | ||||
Total Playing Time [56:05] | ||||
CD 26: Beethoven: Overture "Coriolan"; Symphony No.9 | ||||
Ludwig van Beethoven (1770 - 1827) | ||||
1 | Overture "Coriolan", Op.62 | [9:00] | ||
Symphony No.9 in D minor, Op.125 - "Choral" | ||||
2 | 1. Allegro ma non troppo, un poco maestoso | [15:28] | ||
3 | 2. Molto vivace | [11:00] | ||
4 | 3. Adagio molto e cantabile | [16:25] | ||
4. | ||||
5 | Presto - | [6:22] | ||
Berliner Philharmoniker, Herbert von Karajan | ||||
6 | Presto- "O Freunde, nicht diese Töne!" -Allegro assai | [17:32] | ||
Gundula Janowitz, Hilde Rössel Majdan, Waldemar Kmentt, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein, Reinhold Schmid | ||||
Total Playing Time [1:15:47] | ||||
CD 27: Beethoven: Piano Concertos Nos.4 & 5 | ||||
Ludwig van Beethoven (1770 - 1827) | ||||
Piano Concerto No.4 in G, Op.58 | ||||
Cadenzas: Wilhelm Kempff | ||||
1 | 1. Allegro moderato - Cadenza: Wilhelm Kempff | [17:16] | ||
2 | 2. Andante con moto | [4:49] | ||
3 | 3. Rondo. Vivace - Cadenza: Wilhelm Kempff | [10:29] | ||
Piano Concerto No.5 in E flat major Op.73 -"Emperor" | ||||
4 | 1. Allegro | [20:15] | ||
5 | 2. Adagio un poco mosso | [7:35] | ||
6 | 3. Rondo (Allegro) | [10:36] | ||
Wilhelm Kempff, Berliner Philharmoniker, Ferdinand Leitner | ||||
Total Playing Time [1:11:00] | ||||
CD 28: Beethoven: Symphonies Nos.5 & 7 | ||||
Ludwig van Beethoven (1770 - 1827) | ||||
Symphony No.5 in C minor, Op.67 | ||||
1 | 1. Allegro con brio | [7:22] | ||
2 | 2. Andante con moto | [10:00] | ||
3 | 3. Allegro | [5:09] | ||
4 | 4. Allegro | [10:51] | ||
Symphony No.7 in A, Op.92 | ||||
5 | 1. Poco sostenuto - Vivace | [13:36] | ||
6 | 2. Allegretto | [8:09] | ||
7 | 3. Presto - Assai meno presto | [8:15] | ||
8 | 4. Allegro con brio | [8:36] | ||
Wiener Philharmoniker, Carlos Kleiber | ||||
Total Playing Time [1:11:58] | ||||
CD 29: Handel: Ah! mio cor | ||||
George Frideric Handel (1685 - 1759) | ||||
Alcina | ||||
Act 2 | ||||
1 | Ah, mio cor | [10:48] | ||
Hercules | ||||
Act 3 | ||||
2 | Recit. acc: "Where shall I fly?" | [6:30] | ||
Agrippina, HWV 6 | ||||
Act 2 | ||||
3 | Pensieri, voi mi tormentate! | [7:30] | ||
Giulio Cesare in Egitto HWV 17 | ||||
Atto primo | ||||
4 | No.12 Aria "Cara speme, questo core tu cominci" | [6:02] | ||
Joshua | ||||
5 | O Had I Jubal's Lyre | [2:38] | ||
Ariodante HWV 33 | ||||
Act 2 | ||||
6 | "Scherza infida in grembo al drudo" | [11:39] | ||
Theodora (1750) | ||||
Part 2 | ||||
7 | Sinfony - "With darkness deep" (Theodora) - Sc. 2 | [6:00] | ||
Amadigi di Gaula | ||||
Act 2 | ||||
8 | Desterò dall'empia dite | [5:49] | ||
Orlando | ||||
Act 2 | ||||
9 | Ah Stigie larve! ... Vaghe pupille, non piangete, no | [7:45] | ||
Ariodante HWV 33 | ||||
Act 3 | ||||
10 | "Dopo notte, atra e funesta" | [6:52] | ||
Rinaldo | ||||
Act 2 | ||||
11 | "Lascia ch'io pianga" | [4:58] | ||
Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | ||||
Total Playing Time [1:16:31] | ||||
CD 30: Dvorák: Symphonies Nos.8 & 9 "From the New World" | ||||
Antonín Dvorák (1841 - 1904) | ||||
Symphony No.8 in G, Op.88 | ||||
1 | 1. Allegro con brio | [9:58] | ||
2 | 2. Adagio | [10:19] | ||
3 | 3. Allegretto grazioso - Molto vivace | [6:39] | ||
4 | 4. Allegro ma non troppo | [8:48] | ||
Symphony No.9 in E minor, Op.95 "From the New World" | ||||
5 | 1. Adagio - Allegro molto | [9:32] | ||
6 | 2. Largo | [13:04] | ||
7 | 3. Scherzo (Molto vivace) | [8:08] | ||
8 | 4. Allegro con fuoco | [11:51] | ||
Berliner Philharmoniker, Rafael Kubelik | ||||
Total Playing Time [1:18:19] | ||||
CD 31: Tchaikovsky / Mendelssohn: Piano Concerto No.1 | ||||
Peter Ilyich Tchaikovsky (1840 - 1893) | ||||
Piano Concerto No.1 in B flat minor, Op.23 | ||||
1 | 1. Allegro non troppo e molto maestoso - Allegro con spirito | [23:01] | ||
2 | 2. Andantino semplice - Prestissimo - Tempo I | [8:13] | ||
3 | 3. Allegro con fuoco | [7:11] | ||
Felix Mendelssohn (1809 - 1847) | ||||
Piano Concerto No.1 in G minor, Op.25 | ||||
4 | 1. Molto allegro con fuoco | [7:31] | ||
5 | 2. Andante | [6:32] | ||
6 | 3. Presto | [6:46] | ||
Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim | ||||
Total Playing Time [59:14] | ||||
CD 32: Mendelssohn: Symphonies Nos.4 "Italian" & 5 "Reformation" | ||||
Felix Mendelssohn (1809 - 1847) | ||||
Symphony No.4 in A, Op.90 - "Italian" | ||||
1 | 1. Allegro vivace | [7:34] | ||
2 | 2. Andante con moto | [6:02] | ||
3 | 3. Con moto moderato | [6:54] | ||
4 | 4. Saltarello (Presto) | [5:52] | ||
Symphony No.5 in D minor, Op.107 - "Reformation" | ||||
5 | 1. Andante - Allegro con fuoco | [10:33] | ||
6 | 2. Allegro vivace | [5:22] | ||
7 | 3. Andante | [3:00] | ||
8 | 4. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco) | [7:55] | ||
Berliner Philharmoniker, Lorin Maazel | ||||
Total Playing Time [53:12] | ||||
CD 33: Adagio | ||||
Camille Saint-Saëns (1835 - 1921) | ||||
Le Carnaval des Animaux | ||||
1 | Le cygne (Arranged Paul Vidal) | [3:57] | ||
Gabriel Fauré (1845 - 1924) | ||||
2 | Elégie, Op.24 | [6:26] | ||
Ottorino Respighi (1879 - 1936) | ||||
3 | Adagio con variazioni | [12:54] | ||
Antonín Dvorák (1841 - 1904) | ||||
4 | Silent Woods, Op.68/5 | [6:08] | ||
Alexander Glazunov (1865 - 1936) | ||||
5 | Chant du Ménestrel op.71 | [4:29] | ||
Peter Ilyich Tchaikovsky (1840 - 1893) | ||||
6 | Nocturne in C sharp minor, Op.19 No.4 | [4:40] | ||
Max Bruch (1838 - 1920) | ||||
7 | Kol Nidrei, Op.47 - Adagio on Hebrew Melodies for Cello and Orchestra (Adagio ma non troppo) | [10:49] | ||
Richard Strauss (1864 - 1949) | ||||
8 | Romanze für Cello und Orchester in F | [12:45] | ||
Franz Joseph Haydn (1732 - 1809) | ||||
Violin Concerto in C, H.VIIa No.1 | ||||
9 | Adagio molto (Arr. f. Violoncello by Kay Maisky) | [6:11] | ||
Mischa Maisky, Orchestre de Paris, Semyon Bychkov | ||||
Total Playing Time [1:08:19] | ||||
CD 34: Berlioz: Symphonie fantastique / Cherubini: Overture "Anacréon" / Auber: Overture "La Muette de Portici" | ||||
Hector Berlioz (1803 - 1869) | ||||
Symphonie fantastique, Op.14 | ||||
1 | 1. Rêveries. Passions (Largo - Allegro agitato ed appassionato assai) | [14:15] | ||
2 | 2. Un bal (Valse: Allegro non troppo) | [6:08] | ||
3 | 3. Scène aux champs (Adagio) | [15:58] | ||
4 | 4. Marche au supplice (Allegretto non troppo) | [4:48] | ||
5 | 5. Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso) | [11:03] | ||
Luigi Cherubini (1760 - 1842) | ||||
6 | "Anacreon" Overture | [9:44] | ||
Daniel François Esprit Auber (1782 - 1871) | ||||
La Muette de Portici | ||||
7 | Overture | [8:18] | ||
Orchestre des Concerts Lamoureux, Igor Markevitch | ||||
Total Playing Time [1:10:14] | ||||
CD 35: Praetorius: Christmas Mass | ||||
Martin Luther (1483 - 1546) | ||||
Christmas Mass - Processional:"Christum wir sollen loben schon" | ||||
1 | arranged by Michael Praetorius / Har. Lucas Osiander | [3:14] | ||
Anders Engberg-Pedersen, Paul McCreesh, Gabrieli Consort | ||||
Michael Praetorius (1571 - 1621) | ||||
2 | Puer natus in Bethlehem - Ein Kind geborn zu Bethlehem | [7:29] | ||
Susan Hemington Jones, Constanze Backes, Simon Grant, Gabrieli Players, Paul McCreesh, Gabrieli Consort, Boy's Choir Of Roskilde Cathedral, Kristian Olesen, Congregational Choir Of Roskilde Cathedral, Finn Evald | ||||
3 | Kyrie (Missa: gantz Teutsch) - Polyhymnia caduceatrix (1619) - | [4:31] | ||
Angus Smith, Tessa Bonner, Sarah Pendlebury, Tom Phillips, Anton Pauw, Gabrieli Players, Paul McCreesh | ||||
4 | Gloria (Missa: gantz Teudsch) - Polyhymnia caduceatrix (1619) - | [7:36] | ||
Tessa Bonner, Robert "Bob The Builder" Horn, Angus Smith, Stephen Charlesworth, Sarah Pendlebury, Julian Podger, Tom Phillips, Simon Grant, Gabrieli Players, Paul McCreesh, Gabrieli Consort | ||||
5 | Collect: "Der Herr sei mit euch" - Source (responses): Musae Sioniae VIII (1610) - | [1:08] | ||
Anton Pauw, Paul McCreesh, Gabrieli Consort | ||||
Anonymous | ||||
6 | Epistle: "So schreibt der heilig Propheten Jesajas" | [2:01] | ||
Raimund Nolte | ||||
7 | Organ prelude: Praeambulum "Vom Himmel hoch" (Source: Lüneburg, Stadtarchiv, Musikabt., Mus.ant.pract.KN208.2) | [1:09] | ||
Timothy Roberts | ||||
Michael Praetorius (1571 - 1621) | ||||
8 | Gradual hymn: "Vom Himmel hoch da komm ich her" - Musae Sioniae V (1607)/ Urania (1613) | [4:03] | ||
Donald Greig, Simon Grant, Gabrieli Players, Paul McCreesh, Congregational Choir Of Roskilde Cathedral, Finn Evald, Boy's Choir Of Roskilde Cathedral, Kristian Olesen | ||||
Anonymous | ||||
9 | Gospel: "So schreibt der heilige Lukas" | [3:51] | ||
Raimund Nolte | ||||
Martin Luther (1483 - 1546) | ||||
Credo: "Wir glauben all an einen Gott" (1524) - Tabulatur-Buch hundert geistl. Lieder u. Psalmen - | ||||
10 | Harmonization: Samuel Scheidt | [5:12] | ||
Raimund Nolte, Paul McCreesh, Congregational Choir Of Roskilde Cathedral, Finn Evald | ||||
Anonymous | ||||
11 | Organ prelude: "Resonet in laudibus" source: Lüneburg, Stadtarchiv, Musikabt., Mus.ant.pract.KN208.2 | [1:09] | ||
Timothy Roberts | ||||
Michael Praetorius (1571 - 1621) | ||||
12 | Pulpit hymn: "Quem pastores laudavere" Source: Puericinium (1621) | [4:36] | ||
Lasse Overgaard Nielsen, Asser Oppfeldt, Rune Tonsgaard Sorensen, Anders Engberg-Pedersen, Gabrieli Players, Paul McCreesh, Congregational Choir Of Roskilde Cathedral, Finn Evald, Gabrieli Consort, Boy's Choir Of Roskilde Cathedral, Kristian Olesen | ||||
Johann Hermann Schein (1586 - 1630) | ||||
13 | Sonata: Padouana a 5 - Banchetto musicale (Leipzig, 1617) | [3:05] | ||
Gabrieli Players, Paul McCreesh | ||||
Anonymous | ||||
14 | The Lord's Prayer: "Vater unser, der du bist im Himmel" Words of Institution: "Unser Herr Jesus Christus" | [2:35] | ||
Raimund Nolte | ||||
Michael Praetorius (1571 - 1621) | ||||
15 | Sanctus motet: "Jesaja dem Propheten das geschah" Source: Polyhymnia caduceatrix (1619) | [6:25] | ||
Tessa Bonner, Don Greig, Mark le Brocq, Sarah Pendlebury, Susan Hemington Jones, Simon Grant, Constanze Backes, Angus Smith, Gabrieli Players, Paul McCreesh | ||||
Samuel Scheidt (1587 - 1654) | ||||
16 | Organ prelude: "Wie schön leuchtet der Morgenstern" - "Görlitzer Tabulatur-Buch" (1650) - | [1:35] | ||
Timothy Roberts | ||||
Michael Praetorius (1571 - 1621) | ||||
17 | Communion motet: "Wie schön leuchtet der Morgenstern" - Polyhymnia caduceatrix (1619) - | [3:26] | ||
Susan Hemington Jones, Tessa Bonner, Julian Podger, Angus Smith, Simon Grant, Gabrieli Consort, Gabrieli Players, Paul McCreesh | ||||
18 | Communion motet: "Uns ist ein Kindlein heut geborn" - Musae Sioniae VI (1609) - | [2:11] | ||
Sarah Pendlebury, Hannelore Devaere, Paul McCreesh, Gabrieli Consort | ||||
19 | Post-Communion: "Der Herr sei mit euch" - Musae Sioniae VIII (1610) - | [1:19] | ||
20 | Benediction: "Der Herr segne dich und behüte dich" - Missodia Sionia (1611) - | [1:02] | ||
Anton Pauw, Paul McCreesh, Gabrieli Consort | ||||
21 | Final hymn: "Puer nobis nascitur" - Musae Sioniae VI (1609) - | [2:56] | ||
Gabrieli Players, Paul McCreesh, Gabrieli Consort, Congregational Choir Of Roskilde Cathedral, Finn Evald, Boy's Choir Of Roskilde Cathedral, Kristian Olesen | ||||
22 | Organ voluntary: "Nun lob mein Seel" | [3:04] | ||
Timothy Roberts | ||||
23 | Recessional: "In dulci jubilo" - Polyhymnia caduceatrix (1619) - | [5:23] | ||
Susan Hemington Jones, Tessa Bonner, Mark le Brocq, Gabrieli Players, Paul McCreesh, Gabrieli Consort, Boy's Choir Of Roskilde Cathedral, Kristian Olesen | ||||
Total Playing Time [1:19:00] | ||||
CD 36: Rameau: Une Symphonie Imaginaire | ||||
Jean-Philippe Rameau (1683 - 1764) | ||||
Zaïs | ||||
1 | Overture | [5:47] | ||
Castor et Pollux | ||||
2 | Scène funèbre | [3:25] | ||
Les fêtes d'Hébé | ||||
Act 2 | ||||
3 | Air tendre | [1:53] | ||
Dardanus | ||||
Prologue | ||||
4 | Premier Tambourin / Deuxième Tambourin | [1:51] | ||
Le temple de la gloire | ||||
5 | Air tendre pour les Muses | [4:25] | ||
Les Boréades | ||||
Act 1 | ||||
6 | Contredanse | [3:06] | ||
La Naissance d'Osiris | ||||
7 | Air gracieux | [2:19] | ||
Les Boréades | ||||
Act 4 | ||||
8 | Gavottes pour les Heures et les Zéphirs | [2:44] | ||
Platée [ou Junon jalouse] | ||||
9 | Orage | [2:32] | ||
Les Boréades | ||||
Act 5 | ||||
10 | Prélude | [1:19] | ||
6 Concerts transcrits en sextuor | ||||
6e concert | ||||
11 | 1. La poule | [4:31] | ||
Les fêtes d'Hébé | ||||
Act 3 | ||||
12 | Musette tendre en rondeau, Tambourin en rondeau | [3:22] | ||
Hippolyte et Aricie | ||||
Act 3 | ||||
13 | Ritournelle | [2:09] | ||
Naïs | ||||
Prologue | ||||
14 | Rigaudons | [2:22] | ||
Les indes galantes | ||||
Act 9 | ||||
15 | Danse des Sauvages | [2:18] | ||
Les Boréades | ||||
Act 4 | ||||
16 | Entrée de Polymnie | [6:05] | ||
Les indes galantes | ||||
Act 9 | ||||
17 | Chaconne | [6:17] | ||
Les Musiciens du Louvre, Marc Minkowski | ||||
Total Playing Time [56:25] | ||||
CD 37: Brahms: Violin Concerto, Op.77; Double Concerto, Op.102 | ||||
Johannes Brahms (1833 - 1897) | ||||
Violin Concerto in D, Op.77 | ||||
1 | 1. Allegro non troppo | [22:02] | ||
2 | 2. Adagio | [9:42] | ||
3 | 3. Allegro giocoso, ma non troppo vivace - Poco più presto | [8:35] | ||
Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | ||||
Concerto for Violin and Cello in A minor, Op.102 | ||||
4 | 1. Allegro | [18:04] | ||
5 | 2. Andante | [7:30] | ||
6 | 3. Vivace non troppo - Poco meno allegro - Tempo I | [9:11] | ||
Anne-Sophie Mutter, António Meneses, Berliner Philharmoniker, Herbert von Karajan | ||||
Total Playing Time [1:15:04] | ||||
CD 38: Opera Arias | ||||
Wolfgang Amadeus Mozart (1756 - 1791) | ||||
Idomeneo, re di Creta, K.366 | ||||
Act 1 | ||||
1 | "Quando avran fine omai" - "Padre, germani, addio!" | [7:23] | ||
Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda, David Aronson | ||||
Don Giovanni, ossia Il dissoluto punito, K.527 | ||||
Act 2 | ||||
2 | "Crudele!-Ah no, mio bene!" - "Non mi dir, bell'idol" (Donna Anna) | [6:37] | ||
Hector Berlioz (1803 - 1869) | ||||
Benvenuto Cellini | ||||
Act 1 | ||||
3 | "Les belles fleures" - "Entre l'amour et le devoir" - Quand j'aurai votre âge | [7:44] | ||
Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | ||||
Jules Massenet (1842 - 1912) | ||||
Manon | ||||
Act 3 | ||||
4 | "Suis-je gentille ainsi?" / "Obéissons, quand leur voix appelle" | [6:35] | ||
Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda, Wiener Staatsopernchor, Ernst Dunshirn | ||||
Gaetano Donizetti (1797 - 1848) | ||||
Lucia di Lammermoor | ||||
Act 1 | ||||
5 | Ancor non giunse!...Regnava nel silenzio | [12:42] | ||
Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda, Elina Garanca | ||||
Vincenzo Bellini (1801 - 1835) | ||||
La Sonnambula | ||||
Act 1 | ||||
6 | Care compaggne, et voi, teneri amici ... Come per me sereno | [7:44] | ||
Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda, Wiener Staatsopernchor, Ernst Dunshirn | ||||
Charles Gounod (1818 - 1893) | ||||
Faust | ||||
Act 3 | ||||
7 | Chanson du roi de Thule - Air des Bijoux | [6:28] | ||
Antonín Dvorák (1841 - 1904) | ||||
Rusalka, Op.114 | ||||
Act 1 | ||||
8 | Mesicku na nebi hlubokém | [5:07] | ||
Giacomo Puccini (1858 - 1924) | ||||
La Bohème | ||||
Concert Version | ||||
Act 1 | ||||
9 | "Quando me'n vò" (Musette's Waltz) | [2:39] | ||
Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | ||||
Total Playing Time [1:02:59] | ||||
CD 39: Tchaikovsky: Violin Concerto Op.35 / Wieniawski: Etude-Caprices Nos.2, 4 & 5 / Sarasate: Navarra, Op.33 | ||||
Peter Ilyich Tchaikovsky (1840 - 1893) | ||||
Violin Concerto in D, Op.35 | ||||
1 | 1. Allegro moderato | [18:56] | ||
2 | 2. Canzonetta (Andante) | [6:58] | ||
3 | 3. Finale (Allegro vivacissimo) | [9:26] | ||
David Oistrakh, Sächsische Staatskapelle Dresden, Franz Konwitschny | ||||
Henryk Wieniawski (1835 - 1880) | ||||
Etudes-Caprices for 2 violins, Op.18 | ||||
4 | No.2 in E flat major | [5:09] | ||
5 | No.5 in E major | [1:55] | ||
6 | No.4 in A minor | [1:33] | ||
David Oistrakh, Igor Oistrakh | ||||
Pablo de Sarasate (1844 - 1908) | ||||
7 | Navarra for two violins, Op.33 | [6:01] | ||
David Oistrakh, Igor Oistrakh, Gewandhausorchester Leipzig, Franz Konwitschny | ||||
Total Playing Time [49:58] | ||||
CD 40: Lamenti | ||||
Claudio Monteverdi (1567 - 1643) | ||||
1 | Con che soavità | [4:42] | ||
Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel | ||||
Antonio Bertali (1605 - 1690) | ||||
2 | Lamento della Regina d'Inghilterra | [15:24] | ||
Anne Sofie von Otter, Franz-Josef Selig, Musica Antiqua Köln, Reinhard Goebel | ||||
Giovanni Legrenzi (1626 - 1690) | ||||
Il Ballo del Gran Duca op.16 | ||||
3 | Corrente Nona | [3:19] | ||
Musica Antiqua Köln, Reinhard Goebel | ||||
Antonio Vivaldi (1678 - 1741) | ||||
4 | Cantata "Cessate, omai cessate" RV 684 | [10:52] | ||
Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel | ||||
Claudio Monteverdi (1567 - 1643) | ||||
5 | Lamento d'Arianna | [11:07] | ||
Anne Sofie von Otter, Jakob Lindberg | ||||
Henry Purcell (1659 - 1695) | ||||
6 | Incassum, Lesbia, rogas Z.383 | [7:27] | ||
Anne Sofie von Otter, Markus Möllenbeck, Christian Rieger | ||||
Alessandro Piccinini (1566 - 1638) | ||||
7 | Ciaccona | [1:52] | ||
Jakob Lindberg | ||||
Henry Purcell (1659 - 1695) | ||||
8 | "O Solitude", Z.406 | [4:58] | ||
Anne Sofie von Otter, Jakob Lindberg | ||||
Total Playing Time [59:41] | ||||
CD 41: Vivaldi: The Four Seasons; Concerto for Oboe & Violin, R.548; Concerto for 2 Violins, R.516 | ||||
Antonio Vivaldi (1678 - 1741) | ||||
Concerto for Violin and Strings in E, Op.8, No.1, R.269 "La Primavera" | ||||
1 | 1. Allegro | [3:21] | ||
Simon Standage, Trevor Pinnock, The English Concert | ||||
2 | 2. Largo | [2:41] | ||
3 | 3. Allegro (Danza pastorale) | [3:39] | ||
Concerto for Violin and Strings in G minor, Op.8, No.2, R.315 "L'estate" | ||||
4 | 1. Allegro non molto - Allegro | [4:45] | ||
5 | 2. Adagio - Presto - Adagio | [2:17] | ||
6 | 3. Presto (Tempo impetuoso d'estate) | [2:45] | ||
Concerto for Violin and Strings in F, Op.8, No.3, R.293 "L'autunno" | ||||
7 | 1. Allegro (Ballo, e canto de' villanelli) | [4:52] | ||
8 | 2. Adagio molto (Ubriachi dormienti) | [2:30] | ||
9 | 3. Allegro (La caccia) | [3:02] | ||
Concerto for Violin and Strings in F minor, Op.8, No.4, R.297 "L'inverno" | ||||
10 | 1. Allegro non molto | [3:14] | ||
11 | 2. Largo | [1:52] | ||
Simon Standage, The English Concert, Trevor Pinnock | ||||
12 | 3. Allegro | [2:45] | ||
Simon Standage, Trevor Pinnock, The English Concert | ||||
Concerto for Oboe, Violin, Strings and Continuo in B flat, R.548 | ||||
13 | 1. (Allegro) | [3:45] | ||
14 | 2. Largo | [3:22] | ||
15 | 3. Allegro | [2:11] | ||
David Reichenberg, Simon Standage, The English Concert, Trevor Pinnock | ||||
Concerto for 2 Violins, Strings and Continuo in G major, R. 516 | ||||
16 | 1. Allegro molto | [3:50] | ||
17 | 2. Andante (molto) | [2:07] | ||
18 | 3. Allegro | [3:10] | ||
Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | ||||
Total Playing Time [56:08] | ||||
CD 42: Chopin: Nocturnes Nos.1 - 10 | ||||
Frédéric Chopin (1810 - 1849) | ||||
1 | Nocturne No.1 in B flat minor, Op.9 No.1 | [5:36] | ||
2 | Nocturne No.2 in E flat, Op.9 No.2 | [4:29] | ||
3 | Nocturne No.3 in B, Op.9 No.3 | [6:39] | ||
4 | Nocturne No.4 in F, Op.15 No.1 | [4:21] | ||
5 | Nocturne No.5 in F sharp, Op.15 No.2 | [3:27] | ||
6 | Nocturne No.6 in G minor, Op.15 No.3 | [4:26] | ||
7 | Nocturne No.7 in C sharp minor, Op.27 No.1 | [5:11] | ||
8 | Nocturne No.8 in D flat, Op.27 No.2 | [6:37] | ||
9 | Nocturne No.9 in B, Op.32 No.1 | [4:54] | ||
10 | Nocturne No.10 in A flat, Op.32 No.2 | [4:49] | ||
Maria João Pires | ||||
Total Playing Time [50:29] | ||||
CD 43: Chopin: Nocturnes Nos.11 - 21 | ||||
Frédéric Chopin (1810 - 1849) | ||||
1 | Nocturne No.11 in G minor, Op.37 No.1 | [5:47] | ||
2 | Nocturne No.12 in G, Op.37 No.2 | [5:57] | ||
3 | Nocturne No.13 in C minor, Op.48 No.1 | [6:45] | ||
4 | Nocturne No.14 in F sharp minor, Op.48 No.2 | [7:18] | ||
5 | Nocturne No.15 in F minor, Op.55 No.1 | [4:40] | ||
6 | Nocturne No.16 in E flat, Op.55 No.2 | [4:52] | ||
7 | Nocturne No.17 in B, Op.62 No.1 | [6:27] | ||
8 | Nocturne No.18 in E, Op.62 No.2 | [5:58] | ||
9 | Nocturne No.19 in E minor, Op.72 No.1 | [4:08] | ||
10 | Nocturne No.20 in C sharp minor, Op.posth. | [4:02] | ||
11 | Nocturne No.21 in C minor, Op.posth. | [2:48] | ||
Maria João Pires | ||||
Total Playing Time [58:42] | ||||
CD 44: Scarlatti: Sonatas | ||||
Domenico Scarlatti (1685 - 1757) | ||||
Sonata in E major, K.20 | ||||
1 | Presto | [3:31] | ||
Sonata in E major, K.135 | ||||
2 | Allegro | [4:16] | ||
Sonata in D minor, K.9 | ||||
3 | Allegro moderato | [4:14] | ||
Sonata in D major, Kk.119 | ||||
4 | Allegro | [5:14] | ||
Sonata in D minor, Kk.1 | ||||
5 | Allegro | [2:30] | ||
Sonata in B minor, K.87 | ||||
6 | Andante | [6:21] | ||
7 | Sonata in e minor (Allegrissimo) Kk98 | [3:18] | ||
Sonata in G, K.13 | ||||
8 | Presto | [4:24] | ||
Sonata in G minor, Kk.8 | ||||
9 | Allegro | [5:55] | ||
Sonata in C minor, K.11 | ||||
10 | Moderato | [2:53] | ||
Sonata in G minor, K.450 | ||||
11 | Allegrissimo | [3:32] | ||
Sonata in C major, K.159 | ||||
12 | Allegro | [2:31] | ||
Sonata in C major, Kk.487 | ||||
13 | Allegro | [3:52] | ||
Sonata in B flat major, K.529 | ||||
14 | Allegro | [2:30] | ||
Sonata in E, K.380 | ||||
15 | Andante commodo | [4:59] | ||
Ivo Pogorelich | ||||
Total Playing Time [1:00:00] | ||||
CD 45: Chopin: 12 Etudes Opp. 10 & 25 | ||||
Frédéric Chopin (1810 - 1849) | ||||
12 Etudes, Op.10 | ||||
1 | No. 1 in C | [1:55] | ||
2 | No. 2 in A minor "chromatique" | [1:25] | ||
3 | No. 3 in E "Tristesse" | [3:41] | ||
4 | No. 4 in C sharp minor | [2:01] | ||
5 | No. 5 in G flat "Black Keys" | [1:38] | ||
6 | No. 6 in E flat minor | [3:08] | ||
7 | No. 7 in C | [1:29] | ||
8 | No. 8 in F | [2:20] | ||
9 | No. 9 in F minor | [2:05] | ||
10 | No. 10 in A flat | [2:03] | ||
11 | No. 11 in E flat | [2:14] | ||
12 | No. 12 in C minor "Revolutionary" | [2:37] | ||
12 Etudes, Op.25 | ||||
13 | No. 1 in A flat "Harp Study" | [2:11] | ||
14 | No. 2 in F minor | [1:27] | ||
15 | No. 3 in F | [1:51] | ||
16 | No. 4 in A minor | [1:40] | ||
17 | No. 5 in E minor | [2:54] | ||
18 | No. 6 in G sharp minor | [2:02] | ||
19 | No. 7 in C sharp minor | [4:50] | ||
20 | No. 8 in D flat | [1:04] | ||
21 | No. 9 in G flat, "Butterfly Wings" | [0:57] | ||
22 | No. 10 in B minor | [3:56] | ||
23 | No. 11 in A minor "Winter Wind" | [3:32] | ||
24 | No. 12 in C minor | [2:30] | ||
Maurizio Pollini | ||||
Total Playing Time [55:30] | ||||
CD 46: Evening Star | ||||
Gustav Albert Lortzing (1801 - 1851) | ||||
Zar und Zimmermann | ||||
Act 1 | ||||
1 | Nr.4 Arie: "O sancta justitia!" | [6:43] | ||
Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann | ||||
Act 3 | ||||
2 | Nr.13 Ensemble: "Den hohen Herrscher würdig..." | [9:46] | ||
Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin, Ulrich Paetzholdt, Hellwarth Matthiesen | ||||
3 | No.14 Lied:"Sonst spielt' ich mit Zepter, mit Krone.." | [5:27] | ||
Der Wildschütz | ||||
Act 2 | ||||
4 | Fünftausend Taler!... Träum oder wach' ich? | [5:26] | ||
Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann | ||||
Act 1 | ||||
5 | "Lass Er doch hören"/"Bei diesem schlimmen Fall" | [8:13] | ||
Thomas Quasthoff, Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann | ||||
Act 3 | ||||
6 | Wie freundlich strahlt die holde Morgensonne | [4:57] | ||
Carl Maria von Weber (1786 - 1826) | ||||
Euryanthe | ||||
Act 2 | ||||
7 | Wo berg' ich mich? ... Schweigt, glüh'nden Sehnens | [9:17] | ||
Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann | ||||
Richard Wagner (1813 - 1883) | ||||
Tannhäuser | ||||
Act 2 | ||||
8 | "Gar viel und schön" | [7:06] | ||
Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin, Ulrich Paetzholdt, Hellwarth Matthiesen | ||||
Act 3 | ||||
9 | Wie Todesahnung... O du mein holder Abendstern (Wolfram) | [5:39] | ||
Richard Strauss (1864 - 1949) | ||||
Die schweigsame Frau, Op.80 | ||||
Act 3 | ||||
10 | Wie schön ist doch die Musik | [4:01] | ||
Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann | ||||
Total Playing Time [1:06:35] | ||||
CD 47: Bach, J.S.: Mass in B minor - Kyrie, Gloria | ||||
Johann Sebastian Bach (1685 - 1750) | ||||
Mass in B minor, BWV 232 | ||||
Kyrie: No.1 Kyrie eleison | ||||
Kyrie | ||||
1 | Kyrie Eleison | [12:15] | ||
Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | ||||
2 | Christe eleison | [5:48] | ||
Maria Stader, Hertha Töpper, Münchener Bach-Orchester, Karl Richter | ||||
3 | Kyrie eleison | [3:52] | ||
Gloria | ||||
4 | Gloria in excelsis Deo | [2:01] | ||
5 | Et in terra pax | [4:48] | ||
Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | ||||
6 | Laudamus te | [4:31] | ||
Hertha Töpper, Münchener Bach-Orchester, Karl Richter | ||||
7 | Gratias agimus tibi | [3:28] | ||
Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | ||||
8 | Domine Deus | [6:36] | ||
Maria Stader, Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | ||||
9 | Qui tollis peccata mundi | [4:03] | ||
Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | ||||
10 | Qui sedes ad dexteram Patris | [4:27] | ||
Hertha Töpper, Münchener Bach-Orchester, Karl Richter | ||||
11 | Quoniam tu solus sanctus | [5:52] | ||
Kieth Engen, Münchener Bach-Orchester, Karl Richter | ||||
12 | Cum Sancto Spiritu | [4:12] | ||
Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | ||||
Total Playing Time [1:01:53] | ||||
CD 48: Bach., J.S.: Mass in B minor - Credo, Sanctus, Agnus Dei | ||||
Johann Sebastian Bach (1685 - 1750) | ||||
Mass in B minor, BWV 232 | ||||
Kyrie: No.1 Kyrie eleison | ||||
Credo | ||||
1 | Credo in unum Deum | [2:40] | ||
2 | Patrem omnipotentem | [2:09] | ||
Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | ||||
3 | Et in unum Dominum | [5:26] | ||
Maria Stader, Hertha Töpper, Münchener Bach-Orchester, Karl Richter | ||||
4 | Et incarnatus est | [3:40] | ||
5 | Crucifixus | [3:04] | ||
6 | Et resurrexit | [4:27] | ||
Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | ||||
7 | Et in Spiritum Sanctum | [5:37] | ||
Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter | ||||
8 | Confiteor unum baptisma | [5:06] | ||
9 | Et expecto resurrectionem | [2:14] | ||
Sanctus | ||||
10 | Sanctus | [5:47] | ||
11 | Osanna in excelsis | [2:55] | ||
Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | ||||
12 | Benedictus | [4:56] | ||
Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | ||||
13 | Osanna in excelsis | [2:56] | ||
Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | ||||
Agnus Dei | ||||
14 | Agnus Dei | [6:36] | ||
Hertha Töpper, Münchener Bach-Orchester, Karl Richter | ||||
15 | Dona nobis pacem | [3:25] | ||
Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | ||||
Total Playing Time [1:00:58] | ||||
CD 49: Rachmaninov: Piano Concerto No.2; 6 Preludes | ||||
Sergey Vasil'yevich Rachmaninov (1873 - 1943) | ||||
Piano Concerto No.2 in C minor, Op.18 | ||||
1 | 1. Moderato | [11:10] | ||
2 | 2. Adagio sostenuto | [11:54] | ||
3 | 3. Allegro scherzando | [11:38] | ||
Sviatoslav Richter, Warsaw National Philharmonic Orchestra, Stanislaw Wislocki | ||||
4 | Prelude in C, Op.32, No.1 | [1:16] | ||
5 | Prelude in B flat minor, Op.32, No.2 | [3:11] | ||
6 | Prélude in B flat, Op.23, No.2 | [3:15] | ||
7 | Prelude in D, Op.23, No.4 | [4:27] | ||
8 | Prelude in G minor, Op.23, No.5 | [3:45] | ||
9 | Prelude in C minor, Op.23, No.7 | [2:24] | ||
Sviatoslav Richter | ||||
Total Playing Time [53:00] | ||||
CD 50: Dvorák: Cello Concerto, Op.104 / Tchaikovsky: Variations on a Rococo Theme, Op.33 | ||||
Antonín Dvorák (1841 - 1904) | ||||
Cello Concerto in B minor, Op.104 | ||||
1 | 1. Allegro | [15:42] | ||
2 | 2. Adagio ma non troppo | [12:41] | ||
3 | 3. Finale (Allegro moderato) | [12:58] | ||
Peter Ilyich Tchaikovsky (1840 - 1893) | ||||
Variations on a Rococo Theme, Op.33 | ||||
4 | Moderato assai quasi andante | [0:54] | ||
5 | Tema: Moderato semplice | [1:43] | ||
6 | Variazione I: Tempo del Tema | [0:52] | ||
7 | Variazione II: Tempo del Tema | [1:13] | ||
8 | Variazione III: Andante sostenuto | [3:59] | ||
9 | Variazione IV: Andante grazioso | [1:53] | ||
10 | Variazione V: Allegro moderato | [3:28] | ||
11 | Variazione VI: Andante | [2:52] | ||
12 | Variazione VII e Coda: Allegro vivo | [1:59] | ||
Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | ||||
Total Playing Time [1:00:14] | ||||
CD 51: The Vagabond | ||||
Ralph Vaughan Williams (1872 - 1958) | ||||
Songs of Travel | ||||
1 | 1. The Vagabond | [3:14] | ||
2 | 2. Let beauty awake | [2:00] | ||
3 | 3. The roadside fire | [2:24] | ||
4 | 4. Youth and love | [3:43] | ||
5 | 5. In dreams | [2:57] | ||
6 | 6. The infinite shining heavens | [2:37] | ||
7 | 7. Whither must I wander? | [4:04] | ||
8 | 8. Bright is the ring of words | [1:51] | ||
9 | 9. I have trod the upward and the downward slope | [2:22] | ||
Gerald Finzi (1901 - 1956) | ||||
Let Us Garlands Bring op.18 | ||||
10 | Come away, come away, death | [3:58] | ||
11 | Who is Silvia? | [1:26] | ||
12 | Fear no more the heat o' the sun | [5:51] | ||
13 | O Mistress mine | [2:11] | ||
14 | It was a lover and his lass | [2:37] | ||
George Butterworth (1885 - 1916) | ||||
Bredon Hill and Other Songs | ||||
15 | Bredon Hill | [4:44] | ||
16 | Oh fair enough are sky and plain | [3:17] | ||
17 | When the lad for longing sighs | [1:44] | ||
18 | On the idle hill of summer | [3:08] | ||
19 | With rue my heart is laden | [1:54] | ||
John Ireland (1879 - 1962) | ||||
Sea Fever | ||||
20 | I must go down to the seas again | [2:20] | ||
The Vagabond | ||||
21 | Dunno a heap about the what an' why | [1:57] | ||
The Bells of San Marie | ||||
22 | It's pleasant in Holy Mary by San Marie lagoon | [2:40] | ||
George Butterworth (1885 - 1916) | ||||
A Shropshire Lad | ||||
23 | Loveliest of trees | [2:40] | ||
24 | When I was one-and-twenty | [1:25] | ||
25 | Look not in my eyes | [2:02] | ||
26 | Think no more, lad | [1:23] | ||
27 | The lads in their hundreds | [2:25] | ||
28 | Is my team ploughing? | [3:57] | ||
Bryn Terfel, Malcolm Martineau | ||||
Total Playing Time [1:16:51] | ||||
CD 52: cielo e mar | ||||
Amilcare Ponchielli (1834 - 1886) | ||||
La Gioconda | ||||
Act 2 | ||||
1 | "Cielo e mar" | [5:15] | ||
Francesco Cilèa (1866 - 1950) | ||||
Adriana Lecouvreur | ||||
Act 1 | ||||
2 | "La dolcissima effigie" | [2:09] | ||
Saverio Mercadante (1795 - 1870) | ||||
Il giuramento | ||||
Act 1 | ||||
3 | Recitativo & Aria: La Dea di tutti i cor! - Bella adorata incognita | [4:12] | ||
Arrigo Boïto (1842 - 1918) | ||||
Mefistofele | ||||
Act 1 | ||||
4 | Dai campi, dai prati | [2:33] | ||
Giuseppe Pietri (1886 - 1946) | ||||
Maristella | ||||
Act 1 | ||||
5 | "Io conosco un giardino" | [2:01] | ||
Antonio Carlos Gomes (1836 - 1896) | ||||
Fosca | ||||
original verion | ||||
Act 3 | ||||
6 | "Intenditi con Dio" | [5:01] | ||
Giuseppe Verdi (1813 - 1901) | ||||
Simon Boccanegra | ||||
Act 2 | ||||
7 | "Oh inferno" - "Sento avvampar" | [5:23] | ||
Rolando Villazon, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari | ||||
Gaetano Donizetti (1797 - 1848) | ||||
Poliuto | ||||
Act 2 | ||||
8 | Scena & Aria: Veleno è l'aura ch'io respiro! | [8:24] | ||
Rolando Villazon, Gianluca Alfano, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari | ||||
Saverio Mercadante (1795 - 1870) | ||||
Il giuramento | ||||
Act 2 | ||||
9 | Recitativo & Aria: Compita è omai - Fu celeste | [3:41] | ||
Francesco Cilèa (1866 - 1950) | ||||
Adriana Lecouvreur | ||||
Act 2 | ||||
10 | L'anima ho stanca | [1:48] | ||
Amilcare Ponchielli (1834 - 1886) | ||||
Il figliuol prodigo | ||||
11 | "Il padre!" - "Tenda natal" | [4:41] | ||
Arrigo Boïto (1842 - 1918) | ||||
Mefistofele | ||||
Epilogue | ||||
12 | Giunto sul passo estremo | [2:38] | ||
Giuseppe Verdi (1813 - 1901) | ||||
Luisa Miller | ||||
Act 2 | ||||
13 | Oh! fede negar potessi - Quando le sere | [5:36] | ||
Rolando Villazon, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari | ||||
14 | L'ara, o l'avello apprestami | [3:18] | ||
Rolando Villazon, Gianluca Alfano, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari, Coro Di Milano Giuseppe Verdi, Ruben Jais | ||||
Total Playing Time [56:40] | ||||
CD 53: Bach, J.S.: Organ Works | ||||
Johann Sebastian Bach (1685 - 1750) | ||||
Toccata and Fugue in D minor, BWV 565 | ||||
1 | Toccata | [2:37] | ||
2 | Fugue | [6:49] | ||
Sonata No.1 in E flat, BWV 525 | ||||
3 | 1. (Allegro moderato) | [3:13] | ||
4 | 2. Adagio | [5:40] | ||
5 | 3. Allegro | [4:21] | ||
6 | Sei gegrüsset, Jesu gütig, BWV 768 | [20:45] | ||
Prelude and Fugue in E flat, BWV 552 | ||||
7 | 1. Prelude | [9:19] | ||
8 | 2. Fugue | [7:14] | ||
9 | Wachet auf, ruft uns die Stimme, BWV 645 ('Sleepers, awake') | [4:18] | ||
10 | Wo soll ich fliehen hin, BWV 646 | [2:13] | ||
11 | Wer nur den lieben Gott läßt walten, BWV 647 | [3:12] | ||
12 | Meine Seele erhebet den Herren, BWV 648 | [2:04] | ||
13 | Ach bleib bei uns, Herr Jesu Christ, BWV 649 | [3:10] | ||
14 | Kommst du nun, Jesu, vom Himmel herunter, BWV 650 | [3:41] | ||
Helmut Walcha | ||||
Total Playing Time [1:18:36] | ||||
CD 54: Schumann: Dichterliebe / Beethoven/ Schubert: Lieder | ||||
Robert Schumann (1810 - 1856) | ||||
Dichterliebe, Op.48 | ||||
1 | 1. Im wunderschönen Monat Mai | [1:33] | ||
2 | 2. Aus meinen Tränen sprießen | [0:52] | ||
3 | 3. Die Rose, die Lilie, die Taube, die Sonne | [0:33] | ||
4 | 4. Wenn ich in deine Augen seh' | [1:22] | ||
5 | 5. Ich will meine Seele tauchen | [0:55] | ||
6 | 6. Im Rhein, im heiligen Strome | [1:45] | ||
7 | 7. Ich grolle nicht | [1:19] | ||
8 | 8. Und wüßten's die Blumen, die kleinen | [1:17] | ||
9 | 9. Das ist ein Flöten und Geigen | [1:31] | ||
10 | 10. Hör' ich das Liedchen klingen | [1:55] | ||
11 | 11. Ein Jüngling liebt ein Mädchen | [1:03] | ||
12 | 12. Am leuchtenden Sommermorgen | [2:38] | ||
13 | 13. Ich hab' im Traum geweinet | [2:32] | ||
14 | 14. Allnächtlich im Traume seh' ich dich | [1:28] | ||
15 | 15. Aus alten Märchen winkt es | [2:32] | ||
16 | 16. Die alten, bösen Lieder | [4:08] | ||
Ludwig van Beethoven (1770 - 1827) | ||||
17 | Zärtliche Liebe, WoO 123 "Ich liebe dich" | [2:12] | ||
18 | Adelaïde, Op.46 | [5:57] | ||
19 | Resignation, WoO149 | [2:26] | ||
20 | Der Kuss, Op.128 | [1:59] | ||
Franz Schubert (1797 - 1828) | ||||
21 | An Sylvia, D.891 (Op.106/4) | [3:01] | ||
22 | Lied eines Schiffers an die Dioskuren, D360 | [2:47] | ||
23 | Liebhaber in allen Gestalten, D.558 | [1:17] | ||
24 | Der Einsame, D.800 | [4:24] | ||
25 | Im Abendrot, D.799 | [3:26] | ||
Schwanengesang, D.957 | ||||
26 | Ständchen "Leise flehen meine Lieder" | [3:47] | ||
27 | An die Laute, D. 905 (Op.81/2) | [1:56] | ||
28 | Der Musensohn, D.764 (Op.92/1) | [2:16] | ||
29 | An die Musik, D.547 (Op.88/4) | [2:24] | ||
Fritz Wunderlich, Hubert Giesen | ||||
Total Playing Time [1:05:15] | ||||
CD 55: Liszt: Piano Concertos Nos.1 & 2; Totentanz | ||||
Franz Liszt (1811 - 1886) | ||||
Piano Concerto No.1 in E flat, S.124 | ||||
1 | 1. Allegro maestoso | [5:32] | ||
2 | 2. Quasi adagio - Allegretto vivace - Allegro animato | [8:55] | ||
3 | 3. Allegro marziale animato | [4:02] | ||
Piano Concerto No.2 in A, S.125 | ||||
4 | 1. Adagio sostenuto assai - Allegro agitato assai | [7:27] | ||
5 | 2. Allegro moderato - Allegro deciso | [8:19] | ||
6 | 3. Marziale un poco meno allegro | [4:23] | ||
7 | 4. Allegro animato - Stretto (molto accelerando) | [1:44] | ||
8 | Totentanz, S. 525 | [15:12] | ||
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | ||||
Total Playing Time [55:34] |